The figure speaks an improvised poetry telling about the imaginary experience on morphine where the body trapped in the unbearable pain finds mental dispositif of survival. Combining guitar, effects units, shadow play and irrational poetry, the performance immerses the viewer in the audiovisual poetry collage. The spoken words are slowly distorted becoming the hallucinated voice of the imaginary persona trapped inside a nightmare. “Cauchemar” is text-based experimental performance inspired by Antonin Artaud. The figures are a sort of surreal apparition of the body, shaping the light with symbolic elements diffracting the beams of the projection and creating an immersive space of fragile poetry. They move on the scene and exchange position, like two ghost figures interacting with the pulsating light and sound. The two performers dressed in white lace costumes interact on the scene, playing with the projectors, interacting with material elements creating moving shadow play. The performance is a sort of shamanic experience on how to transform reality into fiction exploring the idea of catharsis as an essential mode of survival. The experience of reality slowly drifts into a ritual mythological narrative, immersing the spectator in surrealist audio-visual shadow play. Performers produces a sonic improvisation. The vibration of the sound is slowly modified with digital effects turning the experience in electro-acoustic drift, where the action of the The soundscape is produced with handmade pickup microphones amplifying cords, metallic objects, theremins and ebow. Rouge Sang at Gaswerk Weimar from Aude Françoise on Vimeo. The soundscape is produced with handmade pickup microphones amplifying cords, metallic objects, theremins and ebow… The vibration of the sound is slowly modified with digital effects turning the experience in electro-acoustic drift, where the action of the performers produces a sonic improvisation. Space is filled with red moving shadow diffracting a collection of light objects, paper cuts, organic slides, composed as a visual collage evolving inside a space bubble. The visual landscape is exploring a series of red objects projected into light with overhead and slide projectors. “Rouge sang” is a metaphoric tale immersing the viewer in a dreamy shadow performance, combining analog projection and sounds.
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